← fig. 02 · all work

2021

Living Museum of the West

Founded in 1984, Melbourne's Living Museum of the West is an ecomuseum located at Pipemakers Park, Maribyrnong. It acts as an archive hub for researchers looking to learn more about West Melbourne's past through recorded storytelling.

The Brief

The Living Museum had been hoping to reinvigorate and expand its subjective story collection in contemporary ways. Part of this goal is achieved through increasing their website accessibility. It is important the museum expresses its non-compartmentalised nature through a modern website framework as a contemporary reinvention. We were tasked to produce a branding and UX refresh of the museum's website in both desktop and mobile iterations.

Our Concept

During the research phase, we determined there were two main user categories:

Purposeful Users

People who come to the website with a goal in mind. Whether they are researchers, regular visitors or those wishing to lodge complaints, they all wish to access specific parts of the website quickly and purposefully.

Wanderers

People who enter the website by chance or for the first time. They wish to browse and explore what the museum is all about while picking up little bits of inspiration on the way. Perhaps they are looking for a fun weekend activity or wishing to procrastinate while learning something new.

Our Goals

My Role

I worked in a team of 5 to curate and give the museum's website a refresh. Overall, I worked to create reusable components and prototyped important interactivity functions such as the menu, navigation bar and footers.

Style Guide

Style guide colour swatches
Colour scheme
Swatched from the entrance map
Headings — Futura PT Demi
Used for consistency with the logo. Matches the contemporary reinvention style, in line with Bauhaus aesthetics.
Body — Open Sans
A humanist sans serif that is highly optimised for web and mobile interfaces. Its neutral, friendly appearance and high legibility fit the contemporary reinvention scheme. Open Sans also has ties to open-source data and wikis, matching the museum's values as a place to gain knowledge without borders.
Type scale
60pt H1 · 36pt H2 · 20pt H3 · 20pt body

Card Sorting

By employing this user-centred design technique, I gathered valuable insights into how users naturally categorise and prioritise information.

Our group was presented with various content elements in the form of digital 'cards' and asked to categorise them based on their perceived relationships and importance. The results provided a clear understanding of users' mental models and preferences, enabling a well-structured and intuitive navigation system.

Homepage 4 cards

Acknowledgements

Event / exhibition / workshop schedule or calendar

Storytelling concept: objects users hover for more info

What’s on / news (quick view)

News page / blog

About 3 cards

Pipemakers Park

About us

Buildings + facilities

FAQ?

Digital library / catalogue 5 cards

Browsing section

Reference enquiry

Search function

“Cart”: favourites

Research

Login

Contact 3 cards

Possible footer

Enquiries (pop-up)

Digital donor wall

FAQ?

Projects 5 cards

Student / university projects
  • Student research and residency program
  • Student work experience program
Historical projects
  • Footscray wharves and environs
Art / exhibition project
  • Artist in residency program: timeline
  • Contemporary art exhibition program: current exhibitions timeline
  • Past arts events projects
Aboriginal program
  • Local history
  • Program

Projects timeline

Card sorting results, redrawn from the team’s board

Creating an initial system

Part of the challenge of reorganising such a large archive of information and pages is managing the information architecture and how it flows. These are some initial wireframes we made to understand the order of the user experience and flow of the customer journey.

Initial wireframes

Implementing a Grid System

We revisited the drawing board to find more efficient ways to display the content. Due to the astronomical amount of text within the museum website, it was imperative to break the verticality of the site. This helps reduce user frustration as users don't have to scroll so far to find their information.

Demo

The Living Museum Website [Desktop]
The Living Museum Website [Mobile]
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